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☆ Laurent de Brunhoff, ‘Babar the Elephant’ author, dies aged 98
▼ + stars: | 2024-03-25 | by ( Oscar Holland | ) edition.cnn.com time to read: +5 min

CNN —Writer and illustrator Laurent de Brunhoff, who continued his father’s legacy by producing dozens of original books for his “Babar the Elephant” series, has died aged 98. De Brunhoff died at his home in Key West, Florida on Friday following a recent stroke, his wife, the critic and author Phyllis Rose, told CNN via email. “The start — (the) very start of Babar — was a bed(time) story from my mother,” de Brunhoff told CNN in an interview, aired in 2003. Children's author and illustrator Laurent de Brunhoff working at his home during a BBC television interview in 1969. A later series, “Babar,” premiered in 1989 on CBC in Canada and HBO in the US (HBO is owned by CNN’s parent company, Warner Bros.

Persons: Laurent de Brunhoff, Babar, De Brunhoff, Phyllis Rose, Brunhoff, Jean, “, Babar —, ” de Brunhoff, ” De Brunhoff, Arthur, ” “, ”, de Brunhoff, Malcolm Winton, Jean de Brunhoff’s, Ariel Dorfman, ” Dorfman, Ranger, ’, “ Babar, Badou ”, Oscar, Whit Stillman, Mary Ryan, illustrator’s Organizations: CNN, BBC, Radio Times, National Geographic, “, NBC, CBC, HBO, Warner Bros, Disney Junior Locations: Key West , Florida, France, Paris, Chilean, Africa, Canada

☆ Keith McNally’s Filmmaking Past Is Forgotten No More
▼ + stars: | 2024-02-06 | by ( Alex Vadukul | ) www.nytimes.com time to read: +1 min

On Thursday night at the Roxy Cinema in Lower Manhattan, a throng of scarf-bundled cinephiles attended the sold-out screening of a black-and-white psychological thriller, “End of the Night,” that was being shown for the first time in more than 30 years. The film’s obscurity wasn’t what drew the crowd: They were there because of its unlikely writer and director, Keith McNally, the downtown restaurateur who runs Balthazar, Minetta Tavern, Pastis and Morandi. Before he shaped New York’s nightlife with his brasseries, Mr. McNally had serious filmmaking ambitions. His first full-length feature, “End of the Night,” premiered at the Directors’ Fortnight showcase during the 1990 Cannes Film Festival, appearing alongside Whit Stillman’s “Metropolitan.” It went on to be a minor hit in Europe before it became a cinematic footnote. In advance of the screenings at the Roxy, an 118-seat art house cinema located in a hotel in TriBeCa, Mr. McNally drummed up interest with a post on his popular Instagram account: “ANYONE WATCHING THIS FILM AT THE ROXY CAN EAT AT BALTHAZAR OR MINETTA TAVERN THAT SAME NIGHT FOR HALF-PRICE,” he wrote in his typical all-caps style.

Persons: cinephiles, Keith McNally, Balthazar, Minetta, McNally, ”, Whit Stillman’s Organizations: Roxy, Mr, ROXY CAN Locations: Lower Manhattan, Whit Stillman’s “, ”, Europe, TriBeCa

☆ How to adapt Jane Austen -- and why it's so hard to get right
▼ + stars: | 2022-08-07 | by ( Scottie Andrew | ) edition.cnn.com time to read: +10 min

Over the years, Austen adaptations have made millions, been nominated for more than a dozen Oscars and several Emmys, and convinced viewers the world over that Mr. Darcy is the gold standard of suitors. Pride vs. Miss Prejudice," two of several Austen adaptations starring Asian protagonists. "Austen is a way for today's readers to both romanticize about soul mates and also sustain their self-respect," said Brodey, who's published several papers on Austen. What the best Austen adaptations get rightA strong Austen adaptation doesn't need to parrot the original text or even take place in late 18th-century England. The Austenites CNN interviewed agreed -- for an Austen adaptation to succeed, it needs to maintain the spirit of her work, especially her incisive depth and incomparable wit.

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